1.0RATINGS GAME MUSIChttps://ratingsgamemusic.comQuincyhttps://ratingsgamemusic.com/author/quincydmnc/rich600338<blockquote class="wp-embedded-content" data-secret="J9UgpijkBd"><a href="https://ratingsgamemusic.com/2023/07/28/travis-scott-utopia-album-review/">Travis Scott – UTOPIA (Album Review)</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ratingsgamemusic.com/2023/07/28/travis-scott-utopia-album-review/embed/#?secret=J9UgpijkBd" width="600" height="338" title="“Travis Scott – UTOPIA (Album Review)” — RATINGS GAME MUSIC" data-secret="J9UgpijkBd" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); </script> https://ratingsgamemusic.com/wp-content/uploads/2023/07/RGM-News-IG-Quincy-7-6.jpg10801080Travis Scott might have been that alien the US government talked about capturing the other day. “UTOPIA” clearly isn’t from this world. STREAM TOP 5   5. SKITZO (Ft. Young Thug) This s**t really is “SKITZO” (The song changes faces more than Vivica Fox). In 1997, a 6:06 song was considered normal. In 2023, a 6:06 song is considered long as s**t. The good news is this: “SKITZO” feels like three songs, so that 6:06 breezes by. In the first portion of the song, Travis Scott and Young Thug go back and forth over this uptempo, darker-than-Reggie Jackson beat. While the former gifts us with a hella catchy hook, the latter drops perhaps his best verse in three years. At around 2:30, “SKITZO” turns into some outer space, spin-around-with-a-bat s**t (Which I’m sure Mike Dean is responsible for). In this portion of the song, Travis Scott keeps it a stack about his lifestyle and raps like part of the rent is due. At around 3:32, “SKITZO” turns into a hard-hitting club banger that will remind you of random drink spills and sloppy asses shaking on a dance floor. In this portion of the track, Travis Scott carefreely rides the booming beat like he said “f**k the rent.” At around 4:45, “SKITZO” turns into a lyrical banger that gives me Jay-Z, “The Prelude” vibes. In this portion of the track, Travis Scott calls out his naysayers using a very laid-back rapping style. This is my least favorite portion of the song. People who still pay for CDs will appreciate this free 4-for-1 we just got.     4. I KNOW ? To prepare for UTOPIA, I listened to both Rodeo and ASTROWORLD. “I KNOW ?” could’ve ended up on the former. In “I KNOW ?,” Travis Scott switches his flow, tone, and demonic levels effortlessly and frequently. I love that he approached the song this way because the beat that drives it is on some starry, sleek, let-your-mind-wander type s**t. Surprisingly, there are a bunch of solo Travis Scott tracks on this album. In my humble opinion, “I KNOW ?” barely clears them all. 3. CIRCUS MAXIMUS (Ft. The Weeknd & Swae Lee) “CIRCUS MAXIMUS” is not just music; it’s a full-blown experience.  Do you know what “CIRCUS MAXIMUS” reminds me of? Some classic Kanye West s**t, somewhere in-between Graduation and the album with the front cover featuring a naked Amy Robach and TJ Holmes. The production alone will blow you away (It’s on some heart-pumping, cinematic, outer space-like s**t). I love that Travis chose to use a subdued, robotic rapping approach to the song, while it’s The Weeknd’s smooth, angelic vocals that will have you on cloud 9. As for their lyrics, they will make anyone but Hunter Biden believe they can achieve anything in the world.     2. MELTDOWN (Ft. Drake) “MELTDOWN” is the grittiest and darkest track on this album. America needs its enemies not to hear this s**t; it might provoke them to push their red buttons. So, “MELTDOWN” has two faces, and both are darker than Reggie Jackson’s (I bet you didn’t know Reggie Jackson would be referenced twice in this album review. I like to keep you on your toes). In the first portion of “MELTDOWN,” Drake sounds like a supervillain who enjoys spooking women that just crossed the border from America to Canada. As for Travis Scott, he sounds like the smoothest electrocuted player on the planet (He literally sounds like he stuck his hand in a socket and cool at the same time). People who appreciate horror movies and hip-hop music (Which is practically everyone in the world) will be drawn to this part of the song. In the second portion of “MELTDOWN,” Travis Scott spits hefty, trill, and reckless bars over an uptempo and booming club beat. Folks that like getting elbowed in packed clubs will f**k with this portion of the song. Drake and Travis Scott are undefeated when it comes to BOGOF (Buy one, get one free) tracks.      1. THANK GOD  Raise your hand if you were caught in Travis Scott’s spell while listening to this song (B*tch, put your hand up). I love how this song builds up. I love how it blooms. The invigorating hook is amazing. Travis’ robotic vocals stabilize the myriad of vibes the instrumentation gives off, and the beat drop is perfectly nailed. The synths are fantastic, and the melodies sound hypnotizing. The quick snippet of Travis’s daughter adds a nice touch. The song ends on some confusing s**t, but I still love it. Can you tell that I love this song? SONG BY SONG BREAKDOWN 1. HYENA (4/5) 2. THANK GOD (Ft. KayCyy) (5/5) 3. MODERN JAM (3.5/5) 4. MY EYES (Ft. Bon Iver & Sampha) (3.5/5) 5. GOD’S COUNTRY (4.5/5) 6. SIRENS (Ft. Playboi Carti & Sheck Wes) (4.5/5) 7. MELTDOWN (Ft. Drake) (5/5) 8. FE!N (4.5/5) 9. DELRESTO (ECHOES) (Ft. Beyoncé & Bon Iver) (4/5) 10. I KNOW ? (Ft. 21 Savage) (4.5/5) 11. TOPIA TWINS (Ft. Rob49 & 21 Savage) (4.5/5) 12. CIRCUS MAXIMUS (Ft. The Weeknd) (4.5/5) 13. PARASAIL (Ft. Yung Lean) (N/A) 14. SKITZO (Ft. Young Thug) (5/5) 15. LOST FOREVER (Ft. WESTSIDE GUNN & James Blake) (4/5) 16. LOOOVE (Ft. Kid Cudi) (4.5/5) 17. K-POP (Ft. The Weeknd & Bad Bunny) (4/5) 18. TELEKINESIS (Ft. Future & SZA) (4/5) 19. TIL FURTHER NOTICE (4.5/5) RGM RATING (B+)   This album is supposed to be heard in Planetariums. If you don’t have access to a Planetarium, listen to the s**t on the roof of an NBA arena. Travis Scott’s ear for music is fantastic. He has always done an outstanding job of making music that sounds just as good in your earphones as it does at concerts. With that being said, I truly believe listening to UTOPIA through your earphones won’t do the album complete justice. Throughout the project, Travis toys with random sounds, tones, vibes, and energies (I mean this in almost a spiritual way)